The Walking Dead, interlude

We interrupt my continuing rant about “The Walking Dead” to direct you over to Kay’s blog Seriocity – because, seriously, she nailed about 2/3 of what I was going to cover in part two, and there’s no way I can top it. Here’s a sample:

Darabont, ultimate television historian that he is not, wants to model The Walking Dead on how the BBC makes TeeVee — with a showrunner, no staff, and freelancers coming in to write episodes. First of all, I think the BBC model works because production over there is an entirely different animal than it is here. Also, correct me if I’m wrong, but aren’t there story editors on BBC shows?  Isn’t there some experienced framework in place to make the shows run smoothly? And haven’t the majority of the showrunners come up through the very stringent system so that they know how it all works? Don’t they have — dare I say it — experience? And don’t the freelance writers also know precisely how the system works, and how to pitch and write scripts for these shows?

Since that’s not how we do it here, I can’t imagine that this sort of thing would run smoothly. Actually, hang on a minute… I actually have experience with this sort of thing! I was on a show where it was decided that the majority of the episodes would be freelanced. This led to hearing A LOT of pitches and not surprisingly, an enormous number of those pitches missed the mark. Because see, that’s how our system is designed. It’s almost impossible for freelancers to pitch an acceptable story to a US TeeVee show, which is why the WGA required freelance episodes are usually given to friends or assistants.

Seriously. You need to read the whole thing.  Plus, I need more time to finish part 2.  Hey, I have a pilot to re-write, a webseries to work on…Shawna’s gotta eat.

UPDATE: Lee Goldberg has weighed in.

UPDATE #2: Michael Patrick Sullivan has blogged this as well – and yes, the alluded to tweets will be revealed in part 2, I swear!

Posted under analysis, blogs

This post was written by Shawna on December 1, 2010

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